KTLA layoffs hit Ellina Abovian and longtime on-air anchors as Nexstar cites “unprecedented change”

 February 26, 2026

KTLA laid off Emmy-nominated reporter Ellina Abovian on Wednesday amid what was described as “restructuring plans,” a cut that landed the same day she publicly marked her 40th birthday and released a podcast message that read like a pointed farewell.

Also “shown the door,” according to The New York Post, were weekday morning weather anchor Mark Kriski, meteorologist Kacey Montoya, and veteran midday anchors Glen Walker and Lu Parker. The exact number of positions eliminated was not immediately clear.

For viewers, it is a familiar gut-punch in local television: faces you trust vanish from the screen, and the public gets a corporate statement about “change” instead of a straight explanation.

Nexstar’s line: “unprecedented change,” fewer details

KTLA is owned by Nexstar. A spokesman offered a broad justification that nodded at the shifting media environment but did not address specific on-air talent decisions.

As the spokesman put it:

“Nexstar does not comment on personnel issues, but the company is taking steps necessary to compete effectively in this period of unprecedented change.”

That one sentence is doing a lot of work. It asks the audience to accept that a station can be reshaped without the people who built its daily identity, and that the public should treat that as routine.

Local news is not merely “content.” It is civic habit. When a station churns through recognizable journalists and anchors, it is not just an internal staffing matter. It changes what viewers see, what they trust, and what they come to rely on when something breaks in Los Angeles.

Abovian was among a “swath of staff” laid off on Wednesday. In the same window, she took to social media to celebrate her 40th birthday and released a podcast episode that included what was described as a “thinly veiled dig” at her former employer.

Others pushed out were described in the report as prominent fixtures:

Mark Kriski was a longtime weekday morning weather anchor at KTLA and “a staple of the station’s early broadcast.”

Kacey Montoya worked as a meteorologist at the station.

Glen Walker and Lu Parker were both named as veteran midday anchors included in the cuts.

These are not minor behind-the-scenes reshuffles. When a station trims the people who show up in living rooms every day, it is announcing a new relationship with the audience, whether it admits that or not.

Walker’s account: successful blocks, sudden news

Walker, who said he learned of the layoffs on Monday, described the midday programming he helped lead and the way it grew over time.

“It was successful, so we added another show and then added another show. It ended up being a three-hour news block from 11 to 2 o’clock right after the morning show, and then from 3 to 4.”

He pointed to performance, particularly when news was moving fast.

“The shows all had good numbers, especially the ones at 11, 12, and 1. And especially during breaking news,”

Then came the reality most working people recognize. Even a long run does not protect you when the spreadsheet turns.

Asked if he saw it coming, Walker said:

“Did I see it coming? I would say no.”

He added that the station offered him a send-off and he declined: “They offered one, and I declined.” He also noted, “I am officially still under contract for 60 days.”

Walker described KTLA in historic terms, calling it “a unique television station as the first television station west of the Mississippi” that “had a lot of great history.”

History, however, does not pay the bills. Leadership decisions do.

Abovian’s birthday message: a personal manifesto in public

Abovian’s response was not presented as a press release or a neatly packaged statement. Instead, she released a podcast episode on Wednesday filled with reflective advice and a sense of closing one chapter and stepping into another.

She urged listeners to live less cautiously, including within the boundaries of community expectations:

“Stop hiding. Stop shrinking. There’s a big world out there, and you can be a part of it. You don’t have to only exist within your Armenian community.”

She also spoke directly about confidence, regret, and the temptation to cling to “safety” rather than risk:

“I wish my 21-year-old self could have followed all her dreams. I wish she could have gone out there into the world … and experienced more things instead of looking for safety.”

And she framed turning 40 as a kind of clarity, a decision to stop relitigating the past and move forward with certainty:

“We don’t get do-overs in life, but we do get to be who we are right now and to be 40, to feel great in my own skin, to have come this far … great, let’s move through the world now with that certainty and stop trying to go back to 20 or 30.”

Finally, she closed the thought in a way that sounded less like defeat than release:

“I guess this is 40. Feeling lighter, loved, and looking forward.”

The corporate language here is smooth, modern, and carefully drained of human content. “Personnel issues.” “Steps necessary.” “Unprecedented change.” Meanwhile, the reality is concrete: on-air figures were cut, a veteran anchor learned on Monday, the layoffs hit on Wednesday, and a reporter marked her 40th birthday while recording what amounted to a public turning of the page.

Some will argue this is simply the market. Fine. But markets do not speak. Executives do. And when leadership refuses to “comment on personnel issues” while also insisting the cuts are “necessary,” they are asking the public to accept a one-way relationship: loyalty flows in, explanations do not flow out.

Walker put it plainly about the future: “It’ll be interesting to see what happens moving forward.”

It will. For the station, for the people who were cut, and for viewers who still expect local news to act like it belongs to the community it serves.


About Maria Reese Paul

Maria is a staff writer covering conservative politics, policy, and culture with a focus on Washington’s most pressing debates for Heritage Review. She is Passionate about amplifying voices often overlooked in mainstream media.

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