Vanity Fair pulls credentials from journalist who smiled and winked on camera during Lindsay Clancy trial

 August 26, 2026

Vanity Fair revoked a freelance journalist's press credentials after she was caught on a courtroom camera smiling and winking during the Lindsay Clancy murder trial, a moment that drew millions of views and fierce backlash online.

Brittany Romano, a New York City, based freelancer who contributes to publications including Elle, Cosmopolitan, and Teen Vogue, appeared on the Court TV pool feed Monday from inside Plymouth Superior Court in Plymouth, Massachusetts, where Clancy is on trial for the deaths of her three children. While other reporters in the gallery sat stone-faced, Romano grinned, posed, and winked directly at the camera, and the clip spread fast.

Within hours the footage had created millions of views across social media. By the next day, Vanity Fair had cut ties with Romano and notified the court she no longer carried the magazine's credential.

Romano grew up with the defendant, and Vanity Fair wanted a personal essay

Vanity Fair had credentialed Romano not as a beat reporter but as the prospective author of a personal essay about growing up with Clancy. The magazine confirmed the arrangement in a statement sent to Fox News Digital:

"We were interested in the prospect of a personal essay by Brittany Romano about her experience growing up with Lindsay Clancy. Yesterday, after clear conflicts with our editorial standards and processes, we informed Romano that we were not moving forward with her essay and informed the court that she is no longer credentialed by Vanity Fair."

Vanity Fair did not specify what those "clear conflicts" were beyond the viral clip itself. Romano told Fox News Digital she "never had a contract" with the magazine and described herself as a freelancer assigned for this specific project.

That distinction matters. Romano was not a Vanity Fair staffer. She was a freelancer who secured a courtroom seat under the magazine's name, and then used that seat to mug for a live camera during a trial involving the deaths of three young children. Whatever the contractual fine print, the optics were unmistakable, and the magazine moved quickly to distance itself.

'I was laughing because I grew up with Lindsay'

Romano offered multiple explanations for her behavior. On social media she said she was reacting to family members watching the broadcast, and told Fox News Digital she had smiled because her father told her she looked sad on the live feed. She also said her personal connection to Clancy was part of it.

"I was laughing because I grew up with Lindsay."

On Tuesday, Romano posted a lengthy statement to Instagram. She framed the smile as an involuntary stress response, not indifference:

"I smile through anxiety. I smile when I'm uncomfortable. That is not indifference, it is a nervous system managing strain the only way it knows how."

She also cast herself as a defender of women's mental health, saying she had spent two years fighting to cover the Clancy case honestly. In her telling, the case has always been about postpartum psychosis and the failure to take mothers' mental health seriously:

"At its center is a mother accused of killing her three children during postpartum psychosis, and because the conversation around her has spent that whole time swinging between calling her a monster and asking what actually broke inside her. Women's mental health was never a side note in that coverage, it was the whole point."

But Romano also had a defiant streak. On Instagram Stories she wrote: "All for smiling at a camera?! Love it! Tysm for boosting my analytics Xoxoxoxo." That post sat uneasily beside the more measured statement about anxiety and mental health advocacy.

Death threats followed, and Romano pushed back hard

Romano reported that the backlash went far beyond criticism. She said she received messages telling her to slit her wrists, threats to kill her in her sleep, and a list of methods for self-harm, all, she said, from people who claimed to be defending Clancy's mental health.

"If you actually believed a woman's mental health mattered, you would not hand another woman a method, you would not treat suicide as a punishment, and you would not claim to protect one woman's humanity while stripping another woman of hers."

She also pushed back on calls for an apology:

"I have been told, repeatedly, to take accountability and apologize, when I have nothing to apologize for. What I have actually received are messages telling me to slit my wrists, threats to kill me in my sleep, and a resource of ways to kill myself, sent by people who claim they are defending Lindsay's mental health."

No one deserves threats like those. Full stop. But the refusal to apologize, paired with the "boosting my analytics" quip, raises a separate question about professional judgment that the threats do not erase.

A selfie with the defense attorney added fuel

Romano had also posted a selfie on social media with Clancy's defense attorney, Kevin Reddington. A photo caption in the Fox News Digital report showed the two walking together outside Plymouth Superior Court on Monday. For a journalist credentialed to create a personal essay about growing up with the defendant, the cozy image with the defense team reinforced the impression that the line between reporter and participant had blurred.

Vanity Fair's statement acknowledged the personal-connection angle from the start, the whole point of the essay was Romano's history with Clancy. But the magazine apparently concluded that whatever value that connection offered was outweighed by the conduct it produced.

Unanswered questions linger

Several pieces of the story remain unclear. Vanity Fair has not detailed which "editorial standards and processes" Romano violated beyond the obvious. Romano says she never had a contract, but Vanity Fair does not appear to have disputed or confirmed that characterization. It is also unknown whether any formal complaint was filed with the court, or whether Romano reported the threats she described to law enforcement.

And the underlying trial, a mother accused of killing her three children, continues. The court, the victims' family, and the public deserve proceedings that are treated with the gravity the case demands. A credentialed journalist winking at a live camera during those proceedings is the opposite of that.

Courtrooms are not content studios. When the media treats a child-murder trial like a backdrop for personal branding, the profession's credibility problems are not hard to diagnose.


About Jenny Curran

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